{"id":401,"date":"2017-11-15T09:59:40","date_gmt":"2017-11-15T09:59:40","guid":{"rendered":"http:\/\/theasifkamal.com\/blog\/?p=401"},"modified":"2017-11-15T10:00:10","modified_gmt":"2017-11-15T10:00:10","slug":"best-five-contemporary-ink-artists-place-bets","status":"publish","type":"post","link":"https:\/\/theasifkamal.com\/blog\/2017\/11\/15\/best-five-contemporary-ink-artists-place-bets\/","title":{"rendered":"Best Five Contemporary Ink Artists To Place Your Bets On"},"content":{"rendered":"<p><span style=\"font-weight: 400;\">The colorful clutter of our art today is a reincarnation of global phenomena such as cultural collision, political conflict and economic competition, and Asia is undoubtedly the fastest and most colorful continent in the process of globalization of today\u2019s world. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">However, Asia with its modern super metropolis is recognized not only because of its size, its huge population and its economic status, more importantly, its contemporary art; because Asia has become a veritable international continent of art and culture. Meanwhile, centuries-old artistic traditions, such as ink-wash painting and ceramics, remain dear and deeply ingrained in the culture. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">Ranging in age from those in their 20s to those in their 50s, the artists that follow are all affected and influenced by the country\u2019s recent events and ancient artifacts. From the ultra famous to the super fresh, they deal with the constantly shifting current of Chinese society, politics, and economy, while maintaining a connection to the country\u2019s deep cultural roots.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">While the market does embrace the paintings by Japanese and other Asian artists, the Chinese have led the way in establishing their genre\u2019s aesthetic values and cultural significance. Chinese contemporary ink artists are extremely appreciable to the current Chinese society as they represent the link between China\u2019s great past and the galloping tempo towards its future. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">Since the early 2000s the market demand for Chinese Contemporary Ink paintings has grown rapidly and artists such as Liu Dan or Liu Kuo-Sung have become Chinese art stars. Nonetheless, their works still lie in an affordable price range making them a great collectible and investment for Asian as well as Western collectors.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Earlier in October, a record price was paid for a piece of art by the late modern Japanese calligrapher Inoue Yuichi. Although the market for contemporary ink artwork is still in its infancy, an increasing number of Hong Kong auction houses, galleries and museums are now hosting exhibitions to cater to the growing number of collectors and enthusiasts.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u201cIn each of our curated thematic auctions we continue to attract new buyers from around the world \u2013 on average, one in five buyers are new to Sotheby\u2019s,\u201d Katherine Don, head of contemporary ink art at Sotheby\u2019s Hong Kong says. \u201cThis is very exciting for growing the awareness for such an important cultural part of art history today.\u201d The selling exhibition, Eternal Water, presented by Sotheby\u2019s Hong Kong goes until October 30. It is focusing mainly on the works of the acclaimed Hong Kong-based painter Wucius Wong over the past six decades. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">Another exhibition, The Weight of Lightness: Ink Art at M+, at the M+ Pavilion, runs until January 14 which examines the diverse changes and developments that have taken place over the past 60 years.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">If you are interested in placing your bets on owning some ink art then we have put up a list of five contemporary Asian ink artists to invest in.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><b>1- Liu Kuo-sung<\/b><\/p>\n<p>&nbsp;<\/p>\n<div id=\"attachment_410\" style=\"width: 336px\" class=\"wp-caption aligncenter\"><img aria-describedby=\"caption-attachment-410\" loading=\"lazy\" class=\"wp-image-410 size-full\" src=\"http:\/\/theasifkamal.com\/blog\/wp-content\/uploads\/2017\/11\/image5-4.jpg\" alt=\"\" width=\"326\" height=\"451\" srcset=\"https:\/\/theasifkamal.com\/blog\/wp-content\/uploads\/2017\/11\/image5-4.jpg 326w, https:\/\/theasifkamal.com\/blog\/wp-content\/uploads\/2017\/11\/image5-4-217x300.jpg 217w, https:\/\/theasifkamal.com\/blog\/wp-content\/uploads\/2017\/11\/image5-4-190x263.jpg 190w\" sizes=\"(max-width: 326px) 100vw, 326px\" \/><p id=\"caption-attachment-410\" class=\"wp-caption-text\">The artist Liu Kuo-Sung<\/p><\/div>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">Liu Kuo-sung born 26 April 1932 is a Taiwanese artist based in Shanghai and Taoyuan, Taiwan. Liu is widely regarded as one of the earliest and most important advocates and practitioners of modernist Chinese painting. Liu is the principal founder of the Wuyue Huahui (Fifth Moon Group), which catalyzed the modernist art movement and brought renewal to traditional Chinese paintings and incorporated Western art concepts and techniques, successfully placing ink painting on the path to modern innovation, for which he has been called the father of modern ink painting.<\/span><\/p>\n<p>&nbsp;<\/p>\n<div id=\"attachment_409\" style=\"width: 558px\" class=\"wp-caption aligncenter\"><img aria-describedby=\"caption-attachment-409\" loading=\"lazy\" class=\"wp-image-409 size-full\" src=\"http:\/\/theasifkamal.com\/blog\/wp-content\/uploads\/2017\/11\/image6-3.jpg\" alt=\"\" width=\"548\" height=\"268\" srcset=\"https:\/\/theasifkamal.com\/blog\/wp-content\/uploads\/2017\/11\/image6-3.jpg 548w, https:\/\/theasifkamal.com\/blog\/wp-content\/uploads\/2017\/11\/image6-3-300x147.jpg 300w, https:\/\/theasifkamal.com\/blog\/wp-content\/uploads\/2017\/11\/image6-3-483x236.jpg 483w, https:\/\/theasifkamal.com\/blog\/wp-content\/uploads\/2017\/11\/image6-3-360x176.jpg 360w, https:\/\/theasifkamal.com\/blog\/wp-content\/uploads\/2017\/11\/image6-3-263x129.jpg 263w\" sizes=\"(max-width: 548px) 100vw, 548px\" \/><p id=\"caption-attachment-409\" class=\"wp-caption-text\">The Smoke<\/p><\/div>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">He helped develop special techniques like shuitou or water rubbing where patterns made by dropping ink into water are copied onto paper. Another technique is zimo or steeped ink, \u00a0where ink paintings made on a hard surface are copied onto paper.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><b>2- Wucius Wong<\/b><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<div id=\"attachment_408\" style=\"width: 915px\" class=\"wp-caption aligncenter\"><img aria-describedby=\"caption-attachment-408\" loading=\"lazy\" class=\"wp-image-408 size-full\" src=\"http:\/\/theasifkamal.com\/blog\/wp-content\/uploads\/2017\/11\/image9-3.jpg\" alt=\"\" width=\"905\" height=\"1200\" srcset=\"https:\/\/theasifkamal.com\/blog\/wp-content\/uploads\/2017\/11\/image9-3.jpg 905w, https:\/\/theasifkamal.com\/blog\/wp-content\/uploads\/2017\/11\/image9-3-226x300.jpg 226w, https:\/\/theasifkamal.com\/blog\/wp-content\/uploads\/2017\/11\/image9-3-768x1018.jpg 768w, https:\/\/theasifkamal.com\/blog\/wp-content\/uploads\/2017\/11\/image9-3-772x1024.jpg 772w, https:\/\/theasifkamal.com\/blog\/wp-content\/uploads\/2017\/11\/image9-3-539x715.jpg 539w, https:\/\/theasifkamal.com\/blog\/wp-content\/uploads\/2017\/11\/image9-3-377x500.jpg 377w, https:\/\/theasifkamal.com\/blog\/wp-content\/uploads\/2017\/11\/image9-3-360x477.jpg 360w, https:\/\/theasifkamal.com\/blog\/wp-content\/uploads\/2017\/11\/image9-3-600x796.jpg 600w, https:\/\/theasifkamal.com\/blog\/wp-content\/uploads\/2017\/11\/image9-3-198x263.jpg 198w\" sizes=\"(max-width: 905px) 100vw, 905px\" \/><p id=\"caption-attachment-408\" class=\"wp-caption-text\">The artist himself<\/p><\/div>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">Wucius Wong was born in 1936 in Guangdong Province, China, and moved to Hong Kong at a very young age. Started as a self- taught artist and attracted to Western modernism. Wong has received numerous honours for his far-reaching influence on contemporary ink art, including the Bronze Bauhinia Star from the Hong Kong Government in 2007. The abstract art of Wucius Wong has a powerful, mysterious quality, being at once vigorously captivating and elusively atmospheric. <\/span><\/p>\n<p>&nbsp;<\/p>\n<div id=\"attachment_407\" style=\"width: 492px\" class=\"wp-caption aligncenter\"><img aria-describedby=\"caption-attachment-407\" loading=\"lazy\" class=\"wp-image-407 size-full\" src=\"http:\/\/theasifkamal.com\/blog\/wp-content\/uploads\/2017\/11\/image8-3.jpg\" alt=\"\" width=\"482\" height=\"320\" srcset=\"https:\/\/theasifkamal.com\/blog\/wp-content\/uploads\/2017\/11\/image8-3.jpg 482w, https:\/\/theasifkamal.com\/blog\/wp-content\/uploads\/2017\/11\/image8-3-300x199.jpg 300w, https:\/\/theasifkamal.com\/blog\/wp-content\/uploads\/2017\/11\/image8-3-360x239.jpg 360w, https:\/\/theasifkamal.com\/blog\/wp-content\/uploads\/2017\/11\/image8-3-263x175.jpg 263w\" sizes=\"(max-width: 482px) 100vw, 482px\" \/><p id=\"caption-attachment-407\" class=\"wp-caption-text\">Wong at work<\/p><\/div>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">Often compared to the classical Chinese landscape painters of the Northern Song dynasty, the artist has mastered the ability to evoke the deeply spiritual and poetic within his sweeping ink works. Perhaps the most affecting element is his startling clarity in capturing fleeting moments within nature, which have the ability to transcend the purely physical and translate into raw emotion. <\/span><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><b>3- Inoue Yuichi<\/b><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<div id=\"attachment_406\" style=\"width: 246px\" class=\"wp-caption aligncenter\"><img aria-describedby=\"caption-attachment-406\" loading=\"lazy\" class=\"wp-image-406 size-full\" src=\"http:\/\/theasifkamal.com\/blog\/wp-content\/uploads\/2017\/11\/image1-6.jpg\" alt=\"\" width=\"236\" height=\"236\" srcset=\"https:\/\/theasifkamal.com\/blog\/wp-content\/uploads\/2017\/11\/image1-6.jpg 236w, https:\/\/theasifkamal.com\/blog\/wp-content\/uploads\/2017\/11\/image1-6-150x150.jpg 150w\" sizes=\"(max-width: 236px) 100vw, 236px\" \/><p id=\"caption-attachment-406\" class=\"wp-caption-text\">Inoue Yuichi<\/p><\/div>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">Inoue Yuichi, was a Japanese avant-garde calligrapher, who explored the human\u2019s primitive impulse on the conflict between authority and everyday-life. Yuichi became widely known to the world after the 4th S\u00e3o Paulo Art Biennial in 1954. Yuichi significantly developed an innovative form of sho that would contend with the wide-spread Euro-American abstraction expressionism in the modern art history. <\/span><\/p>\n<p>&nbsp;<\/p>\n<div id=\"attachment_405\" style=\"width: 448px\" class=\"wp-caption aligncenter\"><img aria-describedby=\"caption-attachment-405\" loading=\"lazy\" class=\"wp-image-405 size-full\" src=\"http:\/\/theasifkamal.com\/blog\/wp-content\/uploads\/2017\/11\/image4-4.jpg\" alt=\"\" width=\"438\" height=\"336\" srcset=\"https:\/\/theasifkamal.com\/blog\/wp-content\/uploads\/2017\/11\/image4-4.jpg 438w, https:\/\/theasifkamal.com\/blog\/wp-content\/uploads\/2017\/11\/image4-4-300x230.jpg 300w, https:\/\/theasifkamal.com\/blog\/wp-content\/uploads\/2017\/11\/image4-4-360x276.jpg 360w, https:\/\/theasifkamal.com\/blog\/wp-content\/uploads\/2017\/11\/image4-4-263x202.jpg 263w\" sizes=\"(max-width: 438px) 100vw, 438px\" \/><p id=\"caption-attachment-405\" class=\"wp-caption-text\">The contemporary ink art<\/p><\/div>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">After experimenting with non-textual abstract art and using enamel paint rather than the ink of calligraphy tradition, he then realized that once calligraphy strays from its textual base, it ceases to hold any value for existing.This realization led him back to working with brush and ink and the development of his own unique art rhetoric which is now compared to those of Americans Franz Kline and Robert Motherwell and the Belgian Pierre Alechinsky.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><b>4- Li Jin<\/b><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<div id=\"attachment_404\" style=\"width: 210px\" class=\"wp-caption aligncenter\"><img aria-describedby=\"caption-attachment-404\" loading=\"lazy\" class=\"wp-image-404 size-full\" src=\"http:\/\/theasifkamal.com\/blog\/wp-content\/uploads\/2017\/11\/image7-3.jpg\" alt=\"\" width=\"200\" height=\"174\" \/><p id=\"caption-attachment-404\" class=\"wp-caption-text\">The gentle breeze by Li Jin<\/p><\/div>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">Li Jin is one of the most important of China&#8217;s traditional brush painters working today, born in Tianjin in 1958. The artist draws from and subverts the tradition of Chinese literati painting to create thoroughly contemporary works dealing with the banality of everyday life. His paintings are populated with imperfect characters going about their daily life. Semi-naked figures and food have prominent roles in the witty paintings of contemporary Chinese life by Li.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><b>5- Gu Wenda<\/b><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<div id=\"attachment_403\" style=\"width: 285px\" class=\"wp-caption aligncenter\"><img aria-describedby=\"caption-attachment-403\" loading=\"lazy\" class=\"wp-image-403 size-full\" src=\"http:\/\/theasifkamal.com\/blog\/wp-content\/uploads\/2017\/11\/image2-6.jpg\" alt=\"\" width=\"275\" height=\"183\" srcset=\"https:\/\/theasifkamal.com\/blog\/wp-content\/uploads\/2017\/11\/image2-6.jpg 275w, https:\/\/theasifkamal.com\/blog\/wp-content\/uploads\/2017\/11\/image2-6-263x175.jpg 263w\" sizes=\"(max-width: 275px) 100vw, 275px\" \/><p id=\"caption-attachment-403\" class=\"wp-caption-text\">The artist Wenda Gu<\/p><\/div>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">Gu Wenda born 1955, Shanghai \u00a0is a contemporary artist from China who lives and works in New York City. Much of his works play off of traditional Chinese calligraphy and poetry. Gu&#8217;s work today focuses extensively on ideas of culture, and his identity. He tends not to discuss or compare himself to other Chinese artists, and much of his work does not seek to embrace nor rebel against Chinese traditions. <\/span><\/p>\n<p>&nbsp;<\/p>\n<div id=\"attachment_402\" style=\"width: 235px\" class=\"wp-caption aligncenter\"><img aria-describedby=\"caption-attachment-402\" loading=\"lazy\" class=\"wp-image-402 size-full\" src=\"http:\/\/theasifkamal.com\/blog\/wp-content\/uploads\/2017\/11\/image3-6.jpg\" alt=\"\" width=\"225\" height=\"225\" srcset=\"https:\/\/theasifkamal.com\/blog\/wp-content\/uploads\/2017\/11\/image3-6.jpg 225w, https:\/\/theasifkamal.com\/blog\/wp-content\/uploads\/2017\/11\/image3-6-150x150.jpg 150w\" sizes=\"(max-width: 225px) 100vw, 225px\" \/><p id=\"caption-attachment-402\" class=\"wp-caption-text\">\u201cMan and space\u201d by Wenda Gu<\/p><\/div>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">His work with human hair, including paintings created with a brush made from human hair, painted in public, continues the theme of the United Nations and seeks to evoke thoughts of human identity and unity. He has helped to redefine ink art and the ink medium.<\/span><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The colorful clutter of our art today is a reincarnation of global phenomena such as cultural collision, political conflict and economic competition,<\/p>\n","protected":false},"author":2,"featured_media":409,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[106],"tags":[],"yst_prominent_words":[861,606,853,847,29,844,845,856,860,812,862,846,854,857,851,855,852,849,859,850],"_links":{"self":[{"href":"https:\/\/theasifkamal.com\/blog\/wp-json\/wp\/v2\/posts\/401"}],"collection":[{"href":"https:\/\/theasifkamal.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/theasifkamal.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/theasifkamal.com\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/theasifkamal.com\/blog\/wp-json\/wp\/v2\/comments?post=401"}],"version-history":[{"count":1,"href":"https:\/\/theasifkamal.com\/blog\/wp-json\/wp\/v2\/posts\/401\/revisions"}],"predecessor-version":[{"id":411,"href":"https:\/\/theasifkamal.com\/blog\/wp-json\/wp\/v2\/posts\/401\/revisions\/411"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/theasifkamal.com\/blog\/wp-json\/wp\/v2\/media\/409"}],"wp:attachment":[{"href":"https:\/\/theasifkamal.com\/blog\/wp-json\/wp\/v2\/media?parent=401"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/theasifkamal.com\/blog\/wp-json\/wp\/v2\/categories?post=401"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/theasifkamal.com\/blog\/wp-json\/wp\/v2\/tags?post=401"},{"taxonomy":"yst_prominent_words","embeddable":true,"href":"https:\/\/theasifkamal.com\/blog\/wp-json\/wp\/v2\/yst_prominent_words?post=401"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}